Posts filed under “Digital Media”
Here’s the official blurb:
"Blade Runner: The Final Cut
Series: The 45th New York Film Festival [Sep 28 - Oct 14 2007]
Director: Ridley Scott, Country: USA, Release: 2007, Runtime: 118
Ridley Scott’s legendary adaptation of Phillip K. Dick’s Do Androids Dream of Electric Sheep? gave us a startling vision of a noir-ishly dystopic future, in which the line between human and non-human has worn perilously thin.
Scott’s masterpiece not only anticipated our future but designed it: Much of our world today appears, well, just so Blade Runner. To commemorate its 25th anniversary, Scott has gone back, corrected a few details and fashioned a version that he feels is closest to what he had originally intended.
One of the greatest American films of the Eighties has just gotten even better.
(A Warner Bros. release.)
In addition to screening Blade Runner: The Final Cut, our 25th anniversary salute to this key work of science fiction includes "The Future Is Now," a panel discussion with prominent film scholars."
I also see that one of the screenings is taking place at the single best movie theater on the planet: The Ziegfeld (141 West 54th Street).
Very very cool.
Blade Runner: The Final Cut
The 45th New York Film Festival
Sep 29 – Oct 14 2007
Here’s the Ubiq-cerpt:™
"It’s a classic tale of failure and redemption, the kind of story Hollywood
loves to tell.
Fresh off his second successful movie, an up-and-coming director takes a
chance on a dark tale of a 21st-century cop who hunts humanlike androids. But he
runs over budget, and the financiers take control, forcing him to add a
ham-fisted voice-over and an absurdly cheery ending. The public doesn’t buy it.
The director’s masterpiece plays to near-empty theaters, ultimately retreating
to the art-house circuit as a cult oddity.
That’s where we left Ridley Scott’s future-noir epic in 1982. But a funny
thing happened over the next 25 years. Blade Runner’s audience quietly
multiplied. An accidental public showing of a rough-cut work print created
surprise demand for a re-release, so in 1992 Scott issued his director’s cut. He
silenced the narration, axed the ending, and added a twist — a dream sequence
suggesting that Rick Deckard, the film’s protagonist, is an android, just like
those he was hired to dispatch.
But the director didn’t stop there. As the millennium turned, he continued
polishing: erasing stray f/x wires, trimming shots originally extended to
accommodate the voice-over, even rebuilding a scene in which the stunt double
was obvious. Now he’s ready to release Blade Runner: The Final Cut,
which will hit theaters in Los Angeles and New York in October, with a DVD to
follow in December.
At age 69, Ridley Scott is finally satisfied with his most challenging film.
He’s still turning out movies at a furious pace — American Gangster,
with Denzel Washington and Russell Crowe, is due in November — building on an
extraordinary oeuvre that includes Alien, Thelma & Louise,
Gladiator, and Black Hawk Down. But he seems ready to accept
Blade Runner as his crowning achievement. In his northern English accent, he
describes its genesis and lasting influence. And, inevitably, he returns to the
darkness that pervades his view of the future — the shadows that shield Deckard
from a reality that may be too disturbing to face."
Other goodies: An interactive look at the Cultural Influences Before and After the Film in the Blade Runner Nexus , and a full transcript and Audio of Wired’s Interview with Ridley Scott.
Its a must read for fans — even if Ridley gets whether Deckard is a replicant or a human wrong . . .
Q&A: Ridley Scott Has Finally Created the Blade Runner He Always Imagined
By Ted Greenwald 09.26.07 | 4:00 PM
What a crazy week — and the market is the least of it!
We moved from our old space on Park Avenue & 49th (across from
the Waldorf) to larger quarters a few blocks over on 5th Avenue. I have been switching back and forth between Starbux and Bryant Park for internet access (and posting less because I have been out of the office more than in). The
furniture is in, the phones are hooked up, and tomorrow, rumor has it
Verizon will light us up with a big fat pipe, connecting us to that
series of tubes.
But what’s been really odd is that a dozen seperate projects I have been working on for a few years now — some big, some small, all eclectic — have practically all-at-once, simultaneously, lurched towards fruition.
A major media project
I may join a new BoD
A fun little web project (its potentially very, very funny)
A significant quant application (this is a very powerful tool)
A brand new video venture
Two fascinating blog related advertising concepts
An expansion of an earlier book blogging idea
A new private equity fund
And that was just this week!
We will discuss more about these in the coming weeks; Just about all of them have a market/stock/economic component to them. I’ll keep you up to speed with these as they develop.
I expect/hope that at least 3 of these 7 close before Halloween. . .
After an exhausting 3 day road trip away, the first thing I like do on my first night back is kick back and relax.
Depending on the time of year, that could mean any number of things. Could be a cigar, a walk by the beach, or a glass of port.
Tonite, it meant pouring a glass of Shiraz, firing up the TiVo, and watching Curb Your Enthusiasm. Absolutely laugh out loud hysterical — and that was before I drank the wine. You can really recognize LD’s stylistic fingerprints all over Seinfeld in the plot of this Curb.
I’ve seen them all, but I may have to go grab a few box sets of this; it will make for good airplane viewing . . .
Too, too funny . . .