Posts filed under “Friday Night Jazz”

Friday Night Jazz Hendrix

Here’s something I haven’t been able to say for 40 years –

“I’m really looking forward to checking out the new Jimi Hendrix album.”

As it turns out . . . come March 1, there will be a new Hendrix disc of some unreleased material — Valleys Of Neptune.

For you young ‘uns out there who might not be familiar with Jimi — he was the genius guitar player who combined R&B, psychedelia distortion/feedback-laden electric leads. You can still hear his influence in music today.

Hendrix released but 3 albums during his short lifetime: Are You Experienced (1967) is probably the greatest debut rock albums of all time (Rolling Stone ranked it #15 on their 500 Greatest Albums of All Time). The next disc was Axis: Bold as Love (1967) and Electric Ladyland (1968).

He was 27 when he died in London on September 18, 1970.

Valleys Of Neptune track by track listing (with descriptions) after the jump . . .

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UPDATE:

Wow, terrific comments. I put the full run of reader suggested Hendrix videos here.

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Category: Friday Night Jazz, Music

Friday Night Jazz: $5 MP3s

Amazon is running an excellent selection of $5 albums in DRM free MP3s , (if you like that sort of thing).

I prefer my music mostly in the form of cold shiny discs. However, Amazon selected over 800 albums, about 50 per genre across rock, jazz, country, new age, 2009 discs you misses, etc. at the bargain (legal) price of $5 bucks per.

These 2 dozen caught my eye:

Jazz:

John Coltrane Blue Trane

A Boy Named Charlie Brown  by Vince Guaraldi Trio

Classic Sinatra – His Great Performances 1953-1960  by Frank Sinatra

Monk

John Coltrane And Johnny Hartman

More after the jump .  . .

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Category: Friday Night Jazz, Music

Friday Night Jazz Paul McCartney Live

Over the course of seeing concerts the past 3+ decades, I have had the good fortune to attend shows that were recorded and later distributed on CD/DVD a handful of times. Up until recently, the most memorable was Aimee Mann’s Live at St. Ann’s Warehouse. But this summer, I was lucky enough to attend Paul…Read More

Category: Friday Night Jazz, Music

Friday Night Jazz iPod’s guilty little pleasures

I will be incommunicado today, winging my way back from Berlin for acht und halben stunden (8 1/2 hours).  I wrote this back in 2005, but never published it widely. Enjoy: > What sort of crap do you have lurking hidden on your iPod? That’s the question I stumbled across from my old essays &…Read More

Category: Friday Night Jazz, Humor, Music

Friday Night Jazz: Newport Jazz Live

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This is truly a Friday Night Jazz: Via the NYT, we learn that Wolfgang’s Vault has a substantial collection of pristine audio recording from the Newport Jazz Festival.

Some of the recordings will blow you away — I suggest the Count Basie concert, but all 3 are excellent (free registration required).

There is also Art Blakey and the Jazz Messengers (1959) and Dakota Staton (1959).

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Thank me after you’ve listened to some of these gems . . . more stuff after the jump

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Source:
Historic Sounds of Newport, Newly Online
BEN RATLIFF
NYT, November 10, 2009

http://www.nytimes.com/2009/11/11/arts/music/11vault.html

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Category: Friday Night Jazz, Music, Web/Tech

Friday Night Jazz boss nova

I’ve only come across a handful of compelling discs this year. Mo’ Horizons …And the New Bohemian Freedom is one of them. It is hard to describe this bizarrely compelling mix of acid jazz, bossa nova, soul, and electronica. Yeah, there is also some Brazilian funk in the mix as well. But the songs, while…Read More

Category: Friday Night Jazz

Friday Nite Floyd: Pigs Might Fly

Lately, I have been combining two of my favorite past times into one multimedia experience: Books & Music. This began over the summer — I was done with my book, and I really wanted to read something mindless, having nothing to do with Wall Street or Washington DC. That’s when I started reading Pigs Might Fly:…Read More

Category: Friday Night Jazz, Markets

Friday Night Jazz: 50th Anniversary of Kind of Blue

KINDA blueThe long awaited return of Friday Night Jazz!

Last year, we took an eclectic look at some of the lesser known works of Miles Davis.

Tonight, I want to go in the opposite direction, and simply focus on one disc: Kind of Blue.

Why? Well, it is the 50th anniversary of the recording of Kind of Blue.

If that is not reason enough, then consider the simple fact that it is Davis’ best-selling album. Indeed, it may very well be the best known jazz record of any artist, of all time.

Even though it was released almost 50 years ago, it still sells over 5,000 copies per week today.

In addition to its commercial success, it has come to be described by many Jazz critics as the greatest jazz album of all time.

Writing in AllMusic, Stephen Thomas Erlewine noted:

Kind of Blue isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of “So What.” From that moment on, the record never really changes pace — each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It’s the pinnacle of modal jazz — tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality.”

And Charles Gans of the Associated Press takes a look behind Davis’ masterpiece:

Today, the five tunes on “Kind of Blue” — particularly “So What” and “All Blues” — have become deeply embedded in the musical landscape. But at the March 2 and April 22, 1959, recording sessions, nearly all the tunes were new to the band members, who didn’t even have a chance to rehearse them. Davis gave the musicians written sketches of the scales and melodies, offering brief verbal instructions about the feeling he wanted on a particular tune.

Davis was moving away from bebop with its complex harmonies and improvisations structured around chord changes. The trumpeter asked his musicians to play in a modal style — a concept developed by pianist-composer George Russell — in which the musicians improvised on scales, with the soloists having more freedom to explore long melodic lines.”

The one jazz record to own even if you don’t listen to jazz — the band is extraordinary: John Coltrane, Julian “Cannonball” Adderley on saxophones, Wynton Kelly and Bill Evans on piano, Paul Chambers on bass, and Jimmy Cobb on drums. I recently received a remastered CD of kind the album, thus retiring my scratchy hiss and pop laden vinyl version. (And another intelligent CD pricing: $6.99 at Amazon)

For those of you looking for some , check out NPR: Kind of Blue (54 minutes)

videos after the jump . . .

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Category: Friday Night Jazz, Music

Quarterly Review

I have the lead quote in the this page one NYT Business section article on the Markets — which came out prior to this NFP: “Less-worse isn’t the same as better,” said Barry Ritholtz, chief executive of FusionIQ, a research firm. “We want to see ‘good.’ In order to grow profits, in order for earnings…Read More

Category: Economy, Federal Reserve, Finance, Friday Night Jazz, Media

Continuing Claims “Exhaustion Rate”

Last week, we saw Continuing Claims decrease — proof, said the green shooters, of the imminent economic recovery. Only, not so much: Those of you (who can still afford the luxury of) a trusty Bloomberg will note the ‘exhaustion rate’ for jobless benefits – EXHTRATE – reveals that people are not leaving the pool of…Read More

Category: Film, Finance, Friday Night Jazz, Investing, Markets