This has been circulating via email. The following were some comments made in the year 1957:
(1) "I’ll tell you one thing, if things keep going the way they are, its going to be impossible to buy a weeks groceries for $20.00."
(2) "Have you seen the new cars coming out next year? It won’t be long when $5,000 will only buy a used one."
(3) "If cigarettes keep going up in price, I’m going to quit. A quarter a pack is ridiculous."
(4) "Did you hear the post office is thinking about charging a dime just to mail a letter?"
(5) "If they raise the minimum wage to $1, nobody will be able to hire outside help at the store."
(6) "When I first started driving, who would have thought gas would someday cost 29 cents a gallon? Guess we’d be better off leaving the car in the garage."
(7) "Kids today are impossible. Those ducktail hair cuts make it impossible to stay groomed. Next thing you know, boys will be wearing their hair as long as the girls;"
(8) "I’m afraid to send my kids to the movies any more. Ever since they let Clark Gable get by with saying damn in "Gone With The Wind", it seems every new movie has either hell or damn in it."
(9) "Did you see where some baseball player just signed a contract for $75,000 a year just to play ball? It wouldn’t surprise me if someday that they will be making more than the President."
(10) "I never thought I’d see the day all our kitchen appliances would be electric. They are even making electric typewriters now"
(11) "It’s too bad things are so tough nowadays. I see where a few married women are having to work to make ends meet."
(12) "It won’t be long before young couples are going to have to hire someone to watch their kids so they can both work."
(13) "I’m just afraid the Volkswagen car is going to open the door to a whole lot of foreign business."
(14) "Thank goodness I won’t live to see the day when the Government takes half our income in taxes. I sometimes wonder if we are electing the best people to Congress."
(15) "The drive-in restaurant is convenient in nice weather, but I seriously doubt they will ever catch on."
(16) "I guess taking a vacation is out of the question now days. It costs nearly $15.00 a night to stay in a hotel."
(17) "No one can afford to be sick any more, $35.00 a day in the hospital is too rich for my blood."
Amusing . . .
Tonite’s guest host for FNJ is a music insider. Although he is known better for many of the newer acts he represents, he is, surprisngly enough, a closet jazz aficionado, and therefore must remain anonymous.
Here’s his take on the O-man:
Oscar Peterson has been recording and performing for over half a century. He may also be the most recorded of all piano players. (And he’s from Canada).
Oscar bridged the swing and bop eras, rooting himself in a style that was at the same time stunningly complex yet elegant and soulful. Nobody used more notes to swing! Oscar is sometimes dismissed because he wasn’t groundbreaking in the way that many of his contemporaries were. But the range of expression he achieved on the piano, and his technical prowess, is hardly rivaled in mainstream jazz.
Many consider his solo recordings of the late 60s and early 70s to be his most outstanding work, but I was always partial to his trio recordings both with Ray Brown and Ed Thigpen and later with Joe Pass and Niels-Henning Orsted Pederson. The live album "The Trio" from 1973 (not to be confused with a Verve release of the same title) is a great recording of Oscar with Pass and Pederson and shows Oscar at his most virtuosic. Check out the Brown Thigpen work live here.
compendium of his 60s work in both trio and solo settings, the
excellent box set "Exclusively for My Friends" will keep you
entertained for years. Of course, there are the standard "songbook"
albums (George Gershwin, Cole Porter, etc.) and the duets with greats like Ella Fitzgerald, Count Basie, Clark Terry and
But if I had to pick one place to start, and on a
Friday night with your favorite Bordeaux, it would be the 1962 album "Night Train" with Ray Brown and Ed Thigpen
It showcases Oscar at his best on both ballads and uptempo numbers and he really shows his blues chops. In particular, note the title track, Bags’ Groove (one the great jazz classics), Moten Swing and Elllington’s great C-Jam Blues. The bonus tracks added to the reissue aren’t particularly special, but don’t diminish Peterson’s brilliance on this record.
(videos after the jump)