Wow, this is pretty severe:
"The jump in March bankruptcy filings is another indication the U.S. economy is in recession, led by states where the housing boom turned to bust.
The more than 90,000 bankruptcy filings in March were the highest since insolvency laws became more restrictive in October 2005, according to statistics compiled from court records by Jupiter eSources LLC. At a daily rate, filings in March were 30 percent above the pace in 2007.
Rising bankruptcies, together with mounting foreclosures and fewer jobs, are further signs the biggest housing slump in a generation is hurting consumers and businesses. Federal Reserve Chairman Ben S. Bernanke this week for the first time acknowledged the economy may be facing a recession and vowed to act to cushion the slowdown."
If the national average increase is 30%, what must the numbers be like in Nevada, Southern California, and South Florida?
California = 42%
Florida = 35%
Nevada = 32%
And thats for the entire state. I surmise that the boom/bust areas are significantly worse . . .
Bankruptcies Jump 30% in March, Led by Housing-Bust States
Bill Rochelle and Bob Willis
Bloomberg, April 5 2008
R.E.M. is the original alternative rock band. Their first album, 1983′s Murmur, transformed the post-punk, underground college-rock era into brand new genre: What you take for granted as alternative rock was essentially created out of whole cloth by R.E.M.
They came up in conversation with an old friend recently, who noted that the band just released its 14th album, “Accelerate.”
Most of you young’uns probably are familiar with the band’s later bigger commercial hits — “Losing My Religion, Shiny Happy People, Everybody Hurts, Stand, etc.” That stuff is all good for what it is — better than most of the pop on the radio at the same time, anyway.
But if you really want to delve into this seminal and influential band’s best work, you need to go back to 4 of their first 5 albums.
Genius lay that way.
A little context: In 1983, the US Stock market had just awoken from a 16 year slumber. Reagan was President, polyester had not yet gone away. The movie Saturday Night Fever was still relatively fresh in people’s minds, and there was plenty of Disco on the air, along with Journey, Boston, and Foreigner. It was an ugly, if simpler, time.
Along comes R.E.M., from of all places Athens, GA. Murmur broke boundaries, and literally created a new genre. The music lay somewhere between the jangling guitar work of the 1960s bands (Beatles, Byrds), with a drive that was not unlike later bands (Clash, Patti Smith).
I was surprised to see that the CDs of both Murmur and Reckoning are $7.97 at Amazon. It is long overdue for the music industry to use dynamic pricing on the back catalogues of artists. I suspect, however, they are a decade too late, and have already lost a generation of CD buyers.
R.E.M. was overtly political. Their songs were barbed attacks on
the status quo, hidden beneath hauntingly beautiful melodies, arcane lyrical language, driving drumbeats, jangly guitars, and
mumbled vocals. It was a completely idiosyncratic approach, but it worked well.
What stood out most of all were their collections of
songs, alternatively beautiful and compelling. Dramatic structures, majestic melodies, lush vocal harmonies and somewhat archaic language combined for a unique sound.
The band became a critical darling, and sold increasingly well. Each subsequent album sharpened the band’s focus, and saw their writing become increasingly layered and complex, culminating in the tight, driving rock of Document. This was the album that catapulted R.E.M. from college radio favorites to mainstream stardom — and with good cause, too. It also marked their critical (but not their commercial) peak.
A recent WSJ piece noted the commercial decline:
“It has been a long, slow fade for a band that came to be known both as one of the founders of alternative rock and one of the genre’s most bankable names. Its 1996 contract turned out to be the high-water mark of a five-year frenzy of wildly expensive superstar contracts across the music industry, whipped up by interlabel bidding wars and CD sales’ seemingly boundless potential for growth. Most of these deals, such as Sony Music’s $60 million contract with Michael Jackson in 1991, and Virgin’s $70 million 1996 pact with his sister Janet, proved overly optimistic about the commercial prospects of artists who were past their prime.”
That sound about right. None of these artists have since achieved any level of their former commercial — or critical — success.
I hope REM breaks the streak. I have yet to hear the entire new album, Accelerate, but the first single, “Supernatural Superserious” is encouraging. Reviews have generally been positive, calling the album R.E.M.’s “most relevant in years.”
Must Own Albums:
• Murmur (1983)
• Reckoning (1984)
• Lifes Rich Pageant (1986)
• Document (1987)
• Accelerate (2008)