The WSJ Market Data Center is chock full of data all sorts of goodies, on financial markets (Stocks, International Markets, Sectors, Bonds, Commodities and Currencies) and research topics (companies, mutual funds, ETFs).
There are tons of subcategories:
- Insider Trading
- Weekly ETF Performance
- Mutual Funds
- Lipper Indexes
- Treasury Strips
- CD Yields, Weekly Snapshot
- Home Loan ARMS Indexes
- Government Agency Issues
- Ethanol Futures Prices, Intraday
- API Energy Data
- Patent Scorecard
I also came across a variety of stock screeners.
When I am not in front of a Bloomberg, its rapidly becoming the place I go to to grab a quick data point or chart. Well worth checking out.
Oh, and its free . . .
Turns out it was Gerry Mulligan‘s CD, Paraiso-Jazz Brazil. An eye opener. Clean, cool recording of lovely Latin melodies, all the while overlaid with this dry, reedy saxophone that infused the music with a flavorful sophistication.
That was Gerry Mulligan’s sound. NPR radio observed that Mulligan was "the most influential baritone saxophonist in jazz." But Mulligan was more than that — he was a
commanding composer, an innovative musician, someone who pushed boundaries, yet remained accessible and enjoyable to listen to.
Mulligan’s light and airy baritone saxophone was the epitome of the the "cool" jazz sound. Yet its amazing how easily he could interact with many other musical styles: Ben Webster’s blustery tenor (the epitome of a "warm" sound); Monk’s percussive, fractured piano rhythms and dissonant tunes; the sweet, subtle tension between Mulligan and Chet Baker.
You can pretty much grab any random Mulligan album (I put up a decent selection here) and not be disappointed. You will see scattered around a broad selection of different styles, eras, and musical cohorts.
Are you a Brubeck fan? Monk? Chet Baker? Webster? Desmond? Grab anything, sit back and enjoy.
Mulligan became known for his writing and arranging skills in his teens. He wrote for Johnny Warrington’s radio band in 1944, and for Gene Krupa’s band two years later.
Mulligan hit the big time when he became known for his work (writing, arranging, and soloing) on Miles Davis’ defining album, "Birth of the Cool." Gerry’s compositions for this album included "Jeru," "Godchild," and "Venus de Milo," all songs that would remain in his repertoire long after the initial success of the album had died down. (This album launched and aided several careers of important jazz figures).
Mulligan’s last record came out as one of his most beautiful. Lovely tunes, clever arrangements, and understated fabulous players mark his last recording (John Scofield and
Grover Washington, Jr. play on this).
Mulligan Discography (massive PDF)
Yesterday morning, Doug Kass gives us his short list of why stocks ought to take a stumble:
1. The price of gasoline rises to a new high, serving as the functional equivalent of a tax increase for the U.S. consumer.
2. Tech bellwether Cisco’s (CSCO) U.S. business enterprise is weak, and guidance for aggregate sequential revenue growth (of +4%) is disappointing.
3. Other tech companies like Novellus (NVLS) , Nokia (NOK) , SanDisk (SNDK) , Flextronics (FLEX) and Sanmina (SANM) disappointed. The much-heralded release of Vista has failed to meet expectations (and has led to a buildup in PC component parts). DRAM prices fall by nearly 70% to below cash production costs. Electronic Arts (ERTS) , Best Buy (BBY) and Circuit City (CC) guided lower, raising questions about the health of consumer electronics.
4. Multinationals offset end-market weakness in the U.S. by the effect of a weak U.S. dollar. More astonishingly, investors consider the foreign exchange gains as recurring.
5. The multiplier effect of the housing downturn hits many building materials companies like Mohawk Industries (MHK) , Home Depot (HD) and Graco (GGG) whiff, but rumors of private-equity deals bail investors out.